From the newsletter archive

2024

January: It’s traditional on this date to wish you a Happy New Year, but at the moment the portents don’t look at all promising. Perhaps

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2023

September: I am writing to let you know that details of five new 2024 courses have just been published on the web site www.lacock.org. The

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2022

October: We end 2022 with a sigh of relief. At last we were able to run the programme of courses planned back in 2019, but

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2021

April: These newsletters have become rather irregular for obvious reasons. Not much has happened though everything changed. A summer of isolation and relative inactivity had

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2020

August: Strange times. When it became clear that it would not be possible to hold courses in the spring and summer I found the new

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2019

September: Our main summer school next year will be in Edinburgh in the middle of July. The young conductor, singer and musicologist Rory McCleery will

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2018

September: All three of us are not long back from another memorable summer school – this time with Justin Doyle – in the excellent town

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2017

September: For a long time we have been looking for venue that could match Monteconero for its splendid situation, beautiful surroundings, a place where a

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2016

June: These newsletters seem to be getting longer. We send them to you because you have been to, or expressed interest in a Lacock course.

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2015

September: We are approaching the end of an event-filled year. Saddest was the loss of Mavis Brown, who died unexpectedly in the spring. She and

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2014

This year’s winter school will be in the Shropshire town of Ludlow. The conductor will be Robert Hollingworth, who has come up with a programme

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2013

February: When writing my prospectuses I am aware that I should be addressing the uninitiated as well as the old lags; I always try to

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2012

October: After a break of seven years Lacock returns to the wonderful historic pueblo blanco of Jimena de le Frontera in April. Monica and Peter Becko have

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2011

October: If you’ve been to Monteconero you’ll understand why I find it impossible to tear myself away. It’s partly its fairy-tale situation, a monastery surrounded

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